![]() The country is being ruled by a pseudo-Christian president-for-life (Cliff Robertson), who has decreed the United States of America will deport anyone deemed morally undesirable to the offshore hellscape that was once the city of angels. Now it's 2013 and instead of New York City being turned into a gigantic prison, the city of Los Angeles has been turned into an island as the result of an enormous earthquake. Kurt Russell reprises his indelibly cynical character from the first film, Snake Plissken. In its plot points, the movie hews closely to the outlines of Escape From New York, so much so that it feels more like a remake than a sequel. His films lost their relevance and increasingly felt not like the work of an artist exploring the crazier parts of his world so much as someone trying to remember what it had once been like to do this.Įscape From L.A. Carpenter, like so many artists, started recycling his own material, exchanging originality for reference. But at some point after that, the magic began to fade. Starting with 1976's Assault on Precinct 13 and ending with 1988's They Live, he made at least eight movies that have come to be seen as genre-defining cult classics, including Halloween, The Thing, Escape From New York and Big Trouble in Little China. 9, 1986, was Escape From L.A., the first signal of the final deterioration of a great director.įrom the late '70s through the late '80s, Carpenter put together the kind of run most filmmakers dream of. They were hoping for a gem by a filmmaker whose career had become increasingly uneven. In the summer of 1996, fans of genre-movie director John Carpenter were thrilled to learn he was readying a sequel to his classic 1981 film Escape From New York.
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